Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Girl Drying Herself oil painting


Girl Drying Herself
1885 Pastel on paper 31 1/2 x 20 1/8 in. (80.1 x 51.2 cm) National Gallery of Art, Washington DC
Painting ID::  869 		Edgar Degas
Girl Drying Herself
1885 Pastel on paper 31 1/2 x 20 1/8 in. (80.1 x 51.2 cm) National Gallery of Art, Washington DC
   
   
     
Edgar Degas The Morning Bath_l oil painting


The Morning Bath_l
1890
Painting ID::  870 		Edgar Degas
The Morning Bath_l
1890
   
   
     
Edgar Degas Woman in the Tub oil painting


Woman in the Tub
1884
Painting ID::  871 		Edgar Degas
Woman in the Tub
1884
   
   
     
Edgar Degas Bathers on the Grass oil painting


Bathers on the Grass
1886-90 Musee d'Orsay, Paris
Painting ID::  872 		Edgar Degas
Bathers on the Grass
1886-90 Musee d'Orsay, Paris
   
   
     
Edgar Degas Nude Woman Drying her Foot oil painting


Nude Woman Drying her Foot
1886 21.5" x 20.80" Louvre, Paqris
Painting ID::  873 		Edgar Degas
Nude Woman Drying her Foot
1886 21.5" x 20.80" Louvre, Paqris
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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